Let me talk a bit for Agfa Process 41. There will be pictures, too.
In the heaven of slide films, on the stairway to E-6 one of the last steps was this very process. It was in a firm use in the ’70s before Agfa introduced Agfachrome 200 film in about 1981 and, logically, Agfa … Read the rest
This is the old ORWO PF-2 film — positive, fine-korn motion picture film. In the past it’s been used for producing black and white positives for cinematography by contact printing. Surprisingly to me, a new versions of it is still in distribution by the good lads of ORWO North America. Here is a specs page… Read the rest
Let’s explore color negative developing kit ORWO C-5168 and how it behaves on a concert with different emulsions, most of them not designed for such a duo.
I was planning for some time to cross process various films in old recipes and the darkroom gods smiled down upon me this January. In my quest for unseen … Read the rest
Let’s have a few f/stops around Fuji Reala 500D negative film. 2 years ago I got a well kept roll of it, but never went back to the pictures until recently when I was browsing some memories from 2015.
As obvious, Reala 500D was used as a motion picture film. Slumdog Millionaire, Walk the line, … Read the rest
This is ORWO Mikro-Aufnahmefilm (MA) 8. In the past century people used it to archive records, blueprints, letters, technical papers, etc. In other words, documents. This film has the ability to capture and store limited amount of gray shades but will never forget your labyrinth signature on a wedding certificate.
In the leaflet I found … Read the rest
I think you may need to see some photos to convince you that Svema LN-9 shall have a filter named after it on Instagram.
LN stands for Lampa Nakalivania (Лампа Накаливания), or tungsten light.
According to my old photo handbook, this Svema had originally sensitivity of GOST 100 (around ISO 100). Went on my balcony … Read the rest
In the past, AGFA Scientia EM has been used to capture microscope images. It has been in production in a number of formats — cut sheet, glass plates, etc. The canister I got is in 35mm size, unperforated.
If you look it up on the internet, you will find mostly scientific research papers that mention … Read the rest
Now I may be tempted to talk about Indiana Jones, Star Wars, Back to the Future and The Shining. What they don’t have in common is the costumes. What they really have in common is that Harrison Ford took a part in two of these and hadn’t in the other two. All … Read the rest
Let me share with you my experience with Agfa Aviphot Dia C. Found few boxes of 19?19 cm glass plates and very little information about it on internet.
A member of www.apug.org answered my general question about this material like that:
“Yes, I did a few enlarged slides with it, maybe 25-30 years ago. Treated … Read the rest
Svema (СВЕточувствительные МАтериалы, or Light-sensitive materials) first saw the light in this world in 1928 and by 1931 was already a company (by the Russian standards). Its portfolio included many types and formats of films, proudly used to keep cameras rolling in productions like the epic War and peace, heart-breaking The Courier or Queen … Read the rest